Disney

Part 1 of 7 in the series Conspiracy

A conspiracy may be a continuing one; actors may drop out and others may drop in; the details of operation may change from time to time; the members need not know each other or the part played by others; a member may not need to know all the details of the plan of the operation; he must, however, know the purpose of the conspiracy and agree to become a party to a plan to effectuate that purpose. — cited from the Californiia Court of Appeals decision, Craig v. U.S. C.C.A. Cal. 81 F2d 816, 822.

In 1967, shortly after Walt’s death, Disney was granted permission from the Florida Legislature to experiment with nuclear fission. As Walt let us know in Heinz Haber’s The Walt Disney Story of Our Friend the Atom, “With our atomic projects we found ourselves deep in the field of nuclear physics. Of course, we don’t pretend to be scientists – we are story tellers. But we combine the tools of our trade with knowledge of experts. We even created a new Science Department at the studio to handle projects of this kind.”

Shaping behavior has long been a tradition for Disney. From theme park “cast members” Brainwashed at the Mouse House to act like lesser beasts, to the animals in their feature films shaped to behave like people, to producing World War Two propaganda films, Disney has been no stranger to Mind Control.

Performing tricks that often defy belief, Disney’s behaviorally conditioned pets have led to the popularity and mass demand for specific breeds. Puppy mills were to be expected after the release of Disney’s live-action movie 101 Dalmatians,¹ especially when their Mulan led countless young girls to butcher their own hair to mimic the behavior of the protagonist in the animated film.²

Disney has been molding its audience since its inception. War propaganda aside, the media giant has been manipulating behavior since at least 1958 when they fooled the world into believing lemmings commit mass suicide by running off of cliffs into the ocean below.³ Disney has since nearly perfected the art of lulling patrons into a false sense of security under the guise of wholesome family entertainment from shaping fanatics who have gone to such extremes as tattooing their bodies with dozens of Disney images⁴ to even controlling consumer purchasing habits via “The Disney Vault.” According to Wikipedia:

The “Disney Vault” is the term used by Walt Disney Studios Home Entertainment for its policy of putting home video releases of Walt Disney Animation Studios’s animated features on moratorium. Each Disney film is available for purchase for a limited time, after which it is put “in the vault” and not made available in stores for several years until it is once again released.

An edition of Saturday Night Live’s TV Funhouse lampooned the Disney Vault with exaggerated claims, such as Walt Disney’s body preserved cryogenically in the vault and an imprisoned Jim Henson, creator of the Muppets that were evidently purchased by Disney in 2004.⁵

From adult-oriented productions to oversexed Mousketeers to rampant peeping tommery among its employees, Disney has long been a lure for predators. “Voyeurism is a very serious crime,” asserts Bill Kelly, an FBI veteran who dealt with sex crimes, notes the Schweizers in their 1998 book Disney: The Mouse Betrayed; Greed, Corruption, and Children at Risk. “It can often escalate to more sex offenses.” According to Professor Jack Enter, “Seventy percent of rapists are voyeurs.”⁶

“Disney World is the greatest attraction in the world for children and pedophiles,” says Professor Jack Enter, a criminology expert at North Georgia College, as reported in The Mouse Betrayed. The book “was considered highly controversial and resulted in the murder of the author,” notes Cathy O’Brien with Mark Phillips in their 2004 book Access Denied: For Reasons of National Security.⁷

Disney only began performing criminal background checks on new employees after the Schweizers exposed the company hiring convicted sex offenders. An interview with the authors to air on Disney-owned ABC’s “20/20″ was cancelled.⁸

Mind Control is the mainstay of the Disney Empire. It is not surprising then that there have been accusations of Disney’s collusion with the Illuminati, or New World Order. Disney’s animated film Fantasia is often cited as a tool for Illuminati brainwashing. As the Straight Talk About God archive explains:

In 1940, Disney came out with 2 full length animated cartoons, Pinocchio and Fantasia, both of which were soon used for Illuminati mind-control programming. Walt used the Le Sacre du Printemps (the Rite of Spring) music for Fantasia. This piece of music was written AS a pagan ritual where a virgin sacrifices herself by dancing to death. Disney’s mobster Gunther Lessing had threatened Stravinsky if permission weren’t given for Disney to use the piece of music, it would be used anyway. Dr. Julian Huxley got involved in the production of Fantasia. Aldous and Julian Huxley are well known by conspiracy researchers for their roles in the World Order. In the 1940′s and 1950′s, the Illuminati began using Disney’s Alice In Wonderland and the Wizard of Oz films as programming bases for their total mind-controlled slaves.⁹

“Disney is one of the best deceptions of the Illuminati,” write Fritz Springmeier and Cisco Wheeler in Deeper Insights into the Illuminati Formula. “Disneyland has been an off hour site for Illuminati and satanic rituals for years.” The authors continue:

According to a witness, the Illuminati Programmers got a big laugh out of using Disneyland as a major Illuminati base for criminal activity. Under the disguise of entertaining the world, they carried out money laundering, child slavery laundering, and mind-control. They nick-named Disneyland “the little syndicate of mind-control.” ¹⁰

Those associated with Disney have reported coworkers and denizens using unusual hand gestures and coded names. Texe Mars, author of several books on the Illuminati, states in an interview in the Fall 2006 issue of Paranoia Magazine that the Illuminati practice “symbology, signs, handshakes, coded language, ritual magic, worship, [and] adoration of idols.”