Subliminal Affect

(c) Illuminati, 1995
 

As this author wrote in 1993 for a film class at the University of Washington in Seattle on the topic of Soundscaping (with minor edits):

A filmmaker attempts to reproduce in two dimensions what is inherent to three-dimensional space. A film space encompasses everything in, on, and around the camera, governs which frame of film borders another, and which sounds will fill that space. The space is a combination of diegetic and off screen mise en sc

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